Wednesday, December 25, 2019
Atomic Bombings of Hiroshima and Nagasaki and Science Fiction
Argumentative Synthesis Between Ryfle and Sontag Many differences can be seen between Steve Ryfleââ¬â¢s article ââ¬Å"Godzillaââ¬â¢s Footprintâ⬠and Susan Sontagââ¬â¢s well known 1965 article ââ¬Å"Imagination of Disasterâ⬠as Ryfle talks about the Japaneseââ¬â¢s imagination perspective while Sontag talks about the American imagination perspective of there view points on science fiction films. Furthermore, Ryfle takes an intensive approach toward Godzilla has he provides evidence that advances his argument with the help of Susan Napierââ¬â¢s article ââ¬Å"Panic Sitesâ⬠where she demonstrated key points toward Japanese science fiction films and relate to Ryfleââ¬â¢s point of view. Whereas the famous Feminist write of the 1950ââ¬â¢s and 60ââ¬â¢s, Sontag disagrees with Ryfle on his idea andâ⬠¦show more contentâ⬠¦Many Japanese viewers went and watched the movie, leaving the theatre in tears due to the scenes relating so vividly to the events that occurred. One such occurrence included t he lucky dragon incident, which involved a tuna trawler that trekked dangerously close to an H-bomb test site, resulting in radiation poisoning to the crew members. Along with this imagery, a still illustration of Hiroshima and Nagasaki in ashes after being hit by Godzilla symbolizes the attack of atomic bombs by the Americans. This visual resembles how both cities looked after they had been attacked by the atomic bombs. After the successful release of the film, Japanese critics accused the directors of cashing in on national hysteria, and thus were not pleased. To support Ryfleââ¬â¢s argument, Susan Napier partially agrees with what Ryfle has to say in her article, ââ¬Å"Panic Sites,â⬠by stating that ââ¬Å"the notion of disaster is of course not the only theme in Japanese science fictionâ⬠(Napier 330)ââ¬âmeaning that the aesthetic concentration of disaster is not always praising the special effects but moreover looking at the effects of disaster. Furthermore, she states, ââ¬Å"The film offered its immediate post war Japanese audience an experience that was both cathartic and compensatory, allowing them to rewrite or at least to re-imagine their wartime experienceâ⬠(Napier 330). They both conclude that certain science fiction movies have intensive dramatics as well as something important toShow MoreRelatedAtomic Bombs Were Dropped On The Japanese Cities Of Hiroshima And Nagasaki1459 Words à |à 6 Pages Two atomic bombs were dropped on the Japanese cities of Hiroshima and Nagasaki in August of 1945. This decision brought about many consequences on both Americans and Japanese. By the 1940s the creation of atomic weaponry became possible ââ¬Å"because of Italian scientists Enrico Fermiââ¬â¢s discovery of the radioactivity of uranium in the 1930sâ⬠(Brinkley 638). Eventually this spread to the United States, and it was undertaken by military. President Harry Truman ââ¬Å"issued an ultimatum to the Japanese, demandingRead M oreOur Cultural Fascination With The Undead1756 Words à |à 8 Pagesin 1968. Romero has been nicknamed the ââ¬Å"Godfather of the Undead.â⬠Some other works of fiction and film to note include 28 Days Later, I am Legend, Pride and Prejudice Zombies and The Zombie Survival Guide, also by Max Brooks. Our cultural fascination with ââ¬Å"the return of the deadâ⬠can be traced back to the events and the general morale leading up to World War Two, and the atomic bombings of Hiroshima and Nagasaki in 1945. The Enlightenment was a philosophical movement that stretched roughly from theRead MoreThe Movie War Games 1556 Words à |à 7 Pagesanything from their mistake, despite having dropped the atomic bomb and knowing its effects on Japan and its people. The film ââ¬Å"War Gamesâ⬠is a 1983 cold war science-fiction film directed by John Badham. 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The controversial fire-storm raid, carried out by bombers of the Royal Air Force and US Air Force, took casualties of up to a quarter million people (Klinkowitz x-xi). As a prisoner of war, Vonnegut was forced to participateRead MorePostmodernism in Literature5514 Words à |à 23 Pagesnovelists he often criticized. Surrealist Rene Magrittes experiments with signification are used as examples by Jacques Derrida and Michel Foucault. Foucault also uses examples from Jorge Luis Borges, an important direct influence on many Postmodernist fiction writers. He is occasionally listed as a Postmodernist though he started writing in the 1920s. The influence of his experiments with metafiction and magical realism was not fully realized until the postmodern period.[2] Comparisons with modernist
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